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Countries=India / Cast=Saiee Manjrekar / 4,6 of 10 / Directed by=Prabhu Deva / genre=Comedy, Action / creators=Dilip Shukla, Salman Khan. Jo Aankhe👀is comment ko dekh rhi hai😠, Bhagwan unke saare saapne, unki Aankho👀ke saamne puure kare😍😍😍. please meri comedy video dekho😭 please please please please meri photo p daba k video dekho 😭 please aapko hasi aayegi please ek baar 😭😭. naye creator ko mooka to de 🙏🙏🙏🙏🙏🙏🙏. Dabangg 3 free watch streaming. This guy looks like allu arjun and l love allu arjun. Dabangg 3 free watch hd. Dabangg 3 free watch video. Dabangg 3 Free watch now. Karndon w. One of the best songs of vai's movie,Sai manjerkar's expression has increased the beauty of this song. 😍😍 hats off salman ali & muskan.

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Salman Khan is mega star of Bollywood Aishwarya ne ek mega star ke saath shadi karli hoti toh aaj Mega star ki wife kehlati. Double dhamaal an ever 1. Dabangg 3(Christmas 2019) 2. Radhe (Eid 2020) Thanku bhaijaan.

I saw the top post on r/movies to be something to do with Bollywood and saw a lot of people asking what is normal and what is not. So I thought I make a long, but relatively brief intro to Bollywood post. I am Indian and I was born and raised in America, but I love Indian movies to death (just as much as other cinema). They are so radically different from any other cinema from around the world that I feel it needs an intro of its own. So here it goes… 1. Bollywood doesn’t equal all of Indian cinema Bollywood is the term for films produced in Mumbai (Bombay). India has a lot of languages and different cultural regions. The films produced in Mumbai are usually just Hindi films and some Marathi (if I am not mistaken). There are plenty more films – Bengali, Gujarati, Telugu, Tamil, Malayalam, Kannada, etc. Those films can be very different from Bollywood films. In some cases, Bollywood remakes (sometimes unofficially) films made in those languages. This is becoming more and more prevalent now. 2. Most popular form of Hindi (Bollywood) cinema – the Masala film The key element to understanding Hindi cinema is what drives a majority of audiences to go see it. Star power is huge in Hindi cinema. Way more than you would imagine in Hollywood. The Hindi cinema audience can be more or less broken down into 3 types. The “single-screen” audience who used to be classified as auto (taxi) drivers or lower income ones – now they are just the more general audience The middle area – embody characteristics of both The “multiplex” audience who tend to watch films that are closer to the festival type The “single-screen” audience is the majority of the movie-goers. These audiences go to movies mostly based on star power. And those stars have to be in films that in a way, elevate them to superhero mode. The films that do these are known as masala films. Masala films used to be films that mix every genre together to create the most possible entertainment – action, romance, melodrama, comedy. Now the term “masala” film has slightly transformed to films that fully utilize the film’s star to their utmost action or comedy potential. These stars include: Shahrukh Khan, Salman Khan, Akshay Kumar, Ajay Devgan. What do I mean by elevate the star to “superhero mode”? I mean like when they beat up dozens of men easily. They can dance well and woo the actress or the heroine well. Their introductions are slow and built up so that fans can literally scream and go crazy when they come on screen. It is a culture of its own and something I love when it is done well. In other cases, it is the star doing over-the-top comedy. These are the films that make the most money. Some of my favorite films of this type include: Dabangg and Sholay. I tend to like masala films in Tamil/Telugu much better because they are more well made for their purpose. These films may be hard to like for people not accustomed to Indian cinema because they aren’t good cinema if you look at it the same way you would look at some of Hollywood’s finest. They are good in another way. They are a culture of their own. The closest comparison I can possibly think of is that it is like Tarantino cinema (don’t kill me, hear me out). They are similar in that they are over-the-top and they are pretty much exploitation cinema. Tarantino’s films tend to be more intelligent. Masala films are made for fun and not for provoking thoughts. Again, there are plenty of bad ones out there as well: Humshakals, Himmatwala, etc. tl;dr masala films are the over-the-top, exploitation from Tarantino films combined with mindless fun of a summer action blockbuster 3. There are other films…. As popular as these masala films are, there are so many more films that are more relatable to fans of other cinema. I guess the more realistic films and not over-the-top films. Occasionally, these have songs and dances as well, but that is because it is something so fun, it is hard to omit. Anyway, just like how Hollywood has the Transformers, the Grown Ups for every Children of Men or Her, Bollywood does too. These films are becoming more and more prevalent. Some of my favorite filmmakers include: Vishal Bharadwaj (makes great Shakespearean adaptations), Anurag Kashyap, Vikramaditya Motwane, and Dibakar Banerjee. These are usually catered to the multiplex audiences that I mentioned above. 4. Why the poor special effects? Before I continue, I still dislike Krrish 3 because it had potential but it was just lazy and bad. Now, coming back to the topic, visual effects in Indian cinema as a whole is usually very weak. It is because they can not afford it. One of the most expensive films of recent times: Robot (Endhiran in Tamil) cost 1, 500, 000, 000 rupees to make. How much is that in dollars? $24, 910, 740. The highest earning Hindi film has only made $80 million (Dhoom 3). They do not have the budget to do make films as big of a visual extravaganza because no matter how many BO records it breaks, it will barely make up the cost. Still, films are definitely improving in that area slowly. 5. Song and dance sequences Non-Indian movie-goers favorite topic: Why do they do that randomly? Well, I don’t know to be honest. However, it has always been there, so I am not even slightly unsettled by them popping up in Indian movies despite watching so many movies of other languages. They usually come in these certain situations: the introduction of a star/characterization of a star (to establish that he is here and/or what type of guy is he (savior who everyone loves, fun/out-of-control party type guy), establishment of a romantic connection (right after a scene where you feel that the guy and girl are starting to get close to each other), a festival (Holi, Diwali celebrations – probably most realistic type b/c people do sing and dance in festivals), and the item song (an actress – on rare occasions, an actor – dancing usually seductively, an exploitative song  it is like Beyonce/Shakira/Rihanna in a music video). The more realistic films nowadays have songs playing in background with montage sequences happening. Summary Basically, Bollywood is a very unique industry. The masala films are an art of their own (unfortunately, an art rarely done well nowadays) and they are meant to be over-the-top, mindless. For you real cinema people, there are also the more polished products out there. I did this for personal satisfaction. There are a few who hate on Bollywood simply because the most popular films are not realistic and spread negativity about it. Even in Hollywood, the most popular films aren’t necessarily the realistic ones (Transformers 4 – highest grosser of the year so far) My personal suggestion: Om Shanti Om is a film that pretty much mocks this type of “masala film” industry very well and does it while being a masala film. Luck By Chance does it well also, but in a more realistic manner. Any other Bollywood enthusiasts can correct some things they don’t agree with. I’m merely a Bollywood fan, not someone who studied it. Any others who want suggestions based on American films. Feel free to ask. This is my first post on this subreddit, so if I did something wrong, sorry. EDIT: Out of all those movies whose posters have copied, Zindagi Na Milegi Dobara, Aitraaz and Gulaal arethe only good ones. Hulchul is okay. I don't usually like horror movies so I can't say much about Bhoot or Phoonk. And if I remember correctly, Hisss is a Hollywood production that practically no one in India saw.

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Goodorning😄😄😄. Dabangg 3 Free watch dogs. Dabangg 3 Free watch blog. Dabangg 3 Free watching. Watch hindi movie dabangg 3 free online. Dabangg 3 free watch movie. I am a fan of action masala entertainer like Dabangg 1, Rowdy Rathore, Singham, Simmba. So Dabanng 3 was on my must watch list. Went for the movie with friends. All the craze and excitement fizzled our in first half an hour. What a torturous boring piece of crap they have made. There is no continuity in the narration. Who did the editing ? RGV ki Aag looks like a masterpiece when compared to Dabangg 3. I can guarantee you will literally sleep during the movie or will go out 20 times for a smoke. No comedy ( not even forced comedy) extremely bad action, but still better than Tiger Zinda Hai and Bharat movie directed by Ali Abbas Zardad should be in waste bin.
My advice : If you are Salman fan and if you like garbage like Tiger zinda hai and Bharat, then you won't be disappointed. This is far better than those 2 craps in terms of entertainment
All eyes on Good News now. Let's see how the Canadian fares this time 😂.

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2. About The Author: Dipankar Bhowmik