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  1. Author: Miguel Martinez
  2. Resume: Amante bandido de la musica y diversas expresiones artisticas.Muy chileno para mis cosas y fiable 100 por ciento,bueno casi !!....

 

  • Release year: 2019
  • Genres: Crime, Thriller
  • Runtime: 2 h, 15Minute
  • user ratings: 8,9 / 10
  • rating: 24032 vote

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Funny to think that Adam Sandler could've been The Bear Jew Donowitz in Inglourious Basterds

Could someone explain why Howard died? Personally I thought the movie wouldve been better if he stayed alive. In hoc to some very bad dudes, New York jewellery salesman Howard Ratner (Adam Sandler) thinks he has a way out: a rock from an Ethiopian mine that could net him over $1 million. Problem is, a famous basketball player has talked him into lending it out, and getting it back won’t be so easy. Diamonds are formed under extreme pressure in the Earth’s crust. But it seems unlikely that any gem has been subjected to pressure quite as extreme as that which bears down on Howard Ratner, the hero of this triumphant flop sweat of a movie. Howard, a fast-talking dealer of precious stones in New York’s Diamond District, is a man in perpetual crisis. He’s introduced mid-colonoscopy (the placement of the camera is one hell of a mission statement), wheels frantically between two women (his unimpressed wife and his adoring mistress), and plies his trade in a glass cube of stress (the blaring door buzzers alone will take 
a toll on your nerves). And that’s before you even consider the dead-eyed goons dogging Howard’s every step, determined to extract the debt he owes. Howard isn’t great with money, you see, or rather he’s never happy with the money he’s got, always angling for a big score. The film rushes alongside him towards something major: whether that event will make him or break him is the great unknown. The idea of a feature-length panic attack, essentially the cocaine-chopper-and-cooking freak-out scene from GoodFellas stretched out to two hours, might not sound appealing. Especially when you consider that Howard is played by Adam Sandler, making this his latest Netflix film after such non-classics as The Ridiculous 6 and Murder Mystery. Yet the Safdie Brothers’ Uncut Gems proves to be one of the most mesmerising thrillers in a long time, and Sandler is a major reason why it works. It’s a career-best performance, reminiscent of his character study 17 years ago in Paul Thomas Anderson ’s Punch-Drunk Love but even more layered and magnetic. His Howard is instantly iconic: part Job, part Jordan Belfort, part Jerry Maguire, he’s louchely attired, balancing out his shady wardrobe and dirtbag facial hair with a Star of David pinkie ring. Rarely stopping to take a breath, he is by turns hilarious, soulful and maddening; drilling down into a character who seems initially cartoonish but becomes ever more fascinating and human, Sandler is totally believable as a rapacious lowlife with big dreams. It’s a breathless hustle, a wild ride that threatens to fly off the rails at any moment. “I’m gonna come! ” he gasps early on, as he glimpses his latest acquisition, a hunk of rare Ethiopian opal he’s procured with great effort on the strength of a YouTube video clip. This mine-dug rock, which shimmers with all the hues of the rainbow and which may or may not have mystical powers, is the film’s MacGuffin, Howard’s own personal Infinity Stone, and he is hellbent on getting it to auction. Complicating this goal is a superstitious NBA superstar (former Celtics player Kevin Garnett, playing himself in a meta plot-strand which places the story as unfolding in 2012), fake Rolexes, a brace of local gangsters and other factors it’s better not to reveal. And doing a masterful job of orchestrating all the mayhem are sibling directors Josh and Benny Safdie, proving once again that they are the maestros of the New York stressmare. Their 2017 breakout hit Good Time cast Robert Pattinson as a crook hustling around the city’s grimier corners in the aftermath 
of a bank robbery. Uncut Gems follows a similar formula, but it’s even slicker and more propulsive, evoking such classics as Dog Day Afternoon and After Hours in its ability to wring maximum ‘what now? ’ tension from its milieu. Sequences that promise to deliver some respite from the overriding sense of dread, such as Howard’s attempt to see his daughter perform in her school play, have a tendency to spiral out of control. And even his late-night amorous visit to his mistress (played with a winning mix of guilelessness and grit by newcomer Julia Fox) is staged in a way designed to put you on edge, thanks to Howard’s inability to do anything without taking some kind of risk. It’s a breathless hustle, a wild ride that threatens to fly off the rails at any moment. But there’s actually a meticulous control of every element: the Robert-Altman-on-crack overlapping dialogue (designed to subtly steer your ear to the most crucial information); the ducking-and-diving camerawork (jittery even in quieter, domestic moments); the perfectly cast supporting players (it says a lot when Eric Bogosian isn’t the most menacing-looking person on screen); the intense electro score by Daniel Lopatin. All of it locks you firmly inside the head of a man who can’t slow down, even if he wanted to. “Boils... Locusts… Death of the firstborn, ” he recites at one point during a tense Passover Seder, listing the Biblical plagues. Then he grins: “Hardcore. ” For Howard Ratner, that’s a slow Tuesday. A monumental thriller, which vividly captures its world’s specifics and calibrates its snaky plot for maximum nail-bitability. Also easily the best film to ever extensively feature Adam Sandler yelling at a TV.

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There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on February 26, 2020 Format: Prime Video Verified Purchase If your a jeweler like I am, then you know many Jewish people. This movie is not only the WORST representation of Jewish people, but there was only one uncut gem (a strange looking black opal/ boulder opal) in the entire movie; unless you're speaking metaphorically. In addition, Sandler's character is not a jeweler. He is a jewelry store owner and he is completely ignorant when it comes to jewelry. He plays nothing more than a trashy salesperson with a gambling problem while having an affair on his wife. THERE!!! SUMMED UP! This movie just continues to go south from start to finish. I thought the end was fitting considering the character is trash! ONE STAR for production, TWO STARS for writing and script, FIVE STARS for the acting, OVERALL: 2. 6 STARS (I rounded up for the Adam Sandler fans) Reviewed in the United States on February 26, 2020 Format: Prime Video Verified Purchase This a horrible movie. I have seen every movie Adam Sandler has ever made and he is both funny and talented, so this is no testament to his acting whatsoever. But this is such a deranged, stressful movie with a stupid ending that doesn't even make a lick of sense. The constant screaming, the just why. It made me feel physically ill to watch. Reviewed in the United States on February 27, 2020 Format: Prime Video Verified Purchase Adam Sandler gives an absolute remarkable performance as NYC Jeweler Howard Ratner. Howard is a mixed up colorful man who happens upon the rarest of opals w/the help of 2 miners (Proclaimed Ethiopian Jews) in the Middle East. Howard is your typical sad individual living a double life. A legitimate daytime jeweler in the heart of NYC’s diamond district and family man. Albeit an unhappily married man. But he’s also an NBA enthusiast and degenerate gambler. By night, he parties, snorts cocaine, and shacks up with his younger girlfriend/co-worker (Julia Fox) at his downtown apt. The focus of his character is his dark side. A harmless gambler past who is due on many of his wagers. Mike Francesa plays his bookie. Ratner is constantly being hounded by 2 thug enforcers authorized by ARNO (Eric Bogosian) to collect from him or either hurt him badly. Bogosian is a bore. Money problems continue to mount for Howard. But as is the case w/delusional gamblers he believes the rare Ethiopian opals could be his lotto ticket to freedom. He takes what little cash he’s stowed away and places a high-stakes wager on the Boston Celtics. This includes side bets on Center Kevin Garnett during the 2010 NBA playoffs vs Philadelphia. Garnett is infatuated with the ROCK after seeing the gemstone up close during a tour of Howard’s shop. He believes it’s good luck and wants to purchase it. Howard tells him the stone is to be auctioned off. Unfortunately, Howards original asking price is much lower than he’d had it appraised for. Kudos to Garnett in his role. For someone who never had an acting lesson, it's remarkable how authentic he comes across. Uncut Gems is a gritty-no nonsense art house flick. Violent at times. My only complaint was the dialogue. The constant f-bombs were unnecessary and a distraction. The script seems to stereotype some of its characters, making them seem uneducated and downright mentally nimble. Uncut Gems is offset by superb character acting. Judd Hirsch makes a cameo. Turning in a nice performance as a pragmatic family member trying to help Howard. Arno is also a family member, who is the back stabbing muscle responsible for collecting Howard’s debt via 2 of his lieutenants. How Sandler was overlooked for a Best Actor Nomination from the Academy is beyond me. Ratner's girfriend (Julia Fox) Julia De Fiore is tremendous. I don't want to give away too much of the plot. Warning: The ending will blow you away. RENT IT. You won’t be disappointed. Reviewed in the United States on February 25, 2020 Format: Prime Video Verified Purchase such a let down.. want a refund Reviewed in the United States on February 28, 2020 Format: Prime Video Verified Purchase From the first moment to the last you just can't look 's a wild runaway train of a movie and Adam Sandler has proven his acting genius once again and solidified that phenomena that sees a truly gifted individual easily transform from comedic actor to a dramatic force to be reckoned once again proves that independent movies are a gold mine that has to be excavated to find an "uncut gem" like this presentation. The acting is superb and the tension from beginning to end never lets up and the surprise ending was shattering. Highly recommended. Reviewed in the United States on December 21, 2019 Format: Prime Video If you love Adam Sandler, arthouse thrillers, basketball, movies by Scorsese or Cassavetes, NYC, or fun, then you might enjoy this movie. It's a bold, high-energy, impossibly authentic feeling film about a gambler/dreamer/hustler who can't stop won't stop. Whether you love the fun classics like Happy Gilmore or the poetic masterpieces like Punch-Drunk Love, you'll probably agree that this is Sandler's best performance to date. Go see in theaters so it makes $ so that the Safdie Brothers and other like-minded artists can continue to make original films with grit and soul. Reviewed in the United States on March 7, 2020 Format: Prime Video Verified Purchase Just didn’t enjoy this movie. Wanted to. Production and music were awkward. Without Sandler I would have stopped 10 minutes in. He held the movie together, but that was obviously what the director needed. Just a story about a crappy man/husband/father that they wanted us to have empathy for. Hard to empathize with a man with such massive narcissistic character flaws. His family suffers and he just wants the girl and the money. Mainly the money. KG did a decent job too. Also so many things that the audience is just supposed to interpret. Gets old making so many assumptions. Not sure if that’s the writing or the production. Anyway. I finished it. Good luck. Reviewed in the United States on February 27, 2020 Format: Prime Video Verified Purchase I finally gave in and watched Uncut Gems and I really think it suffered from overpraise. Had I seen this on accident late one night, I might have thought it was a fine film because that's what it was: fine. Everything you think will happen in this movie does. I did find myself rooting for the degenerate characters in the film, especially Julia (Julia Fox). Kevin Garnett was shockingly good in this movie. To think he wasn't the first choice; I can't imagine his part being done by any other player. Overall, I think it's a movie you see once and after a few months, you never think or speak of it again.

I feel sorry for the people that havent saw this movie yet and watches this but this scene made my heart skip a beep. It's once a p a time dumb asa go see it. 2:20 I'm not sure if I dig the it doesn't matter - Me @ The Rise of Skywalker. This is the first movie in a long time that I stopped watching. Him (and other certain characters) yelling all the time killed this movie for me. Fun fact! Dupont couldn't find anyone alive who hasn't ingested some of their chemicals used to make teflon.

I constantly keep forgetting about Andy until he pops in lol. Én előfizettem a legnagyobb csomagra és tetszik is de nem sokáig lesz így. Nem hogy egyre több de egyre kevesebb szinkronos film jön ki. Uncut gems (2019. Until now, I thought that the best metaphor for filmmaking that I’d ever seen in a movie was found in Akira Kurosawa’s “High and Low”: throwing bags of money out of a speeding train. But Josh and Benny Safdie ’s new film, “Uncut Gems, ” offers a better, if more elaborate, one, when its protagonist, Howard Ratner (Adam Sandler), a Diamond District jewelry dealer who’s also a compulsive gambler, places a bet on a basketball game. Howard isn’t merely risking money on the outcome; he’s crafting a story that, for the bet to pay off, has to come out right—who wins the opening tip-off, how many points a particular player will score, whether or not the winning team covers the spread. Howard’s story has to correspond to reality, or, rather, vice versa. With his grandiose vision of winning, he’s the ultimate fantasist and, in his mortal dependence on what actually happens, the ultimate realist. He’s a lot like a director behind a camera. The soundtrack of “Uncut Gems” is jittery with the hectic electronica of Daniel Lopatin, a. k. a. Oneohtrix Point Never, but the mind-bending score could have been replaced by overlays of multiple out-of-synch ticking clocks, to mark the overwhelming intensity of the drama’s chronological pressure. The Safdie brothers’ movie is desperately timed; the forty-eight-year-old Howard measures out his days and nights not in coffee spoons but in the arc of a three-pointer, the slam of a car door, the paired buzzes of his showroom’s double-safe, electrically controlled bulletproof-glass barriers. Howard’s very survival is a matter of precise timing and of his urgent, off-balance storytelling. (The movie’s editing, by Benny Safdie and Ronald Bronstein—who co-wrote the script with the brothers—evokes the visual clamor of its clashing urgencies. ) Howard tries to sidestep his creditors and their violent enforcers with instantaneously improvised lies that have to be timed with a comedian’s precision to elude their grasp. He plans to pay one with money owed to another and winnings that haven’t yet come in, and, if his borrowings and his scams, his debts and his dodges, don’t fit together in exactly the right sequence, the entire house of cards that is his life will come tumbling down. It’s also a movie of a cruel physicality, of the clash of textures, of the hard and the soft, the viscous and the solid and even the ethereal—a tale of blood and fluids that starts in Ethiopia, in 2010, where a miner is carried from his worksite with a horrifically bloody wound, and continues to a video screen in New York, in 2012, where Howard is having a colonoscopy and a doctor is narrating his camera’s enteral journey. It’s only the first of the movie’s bloody byways, only the earliest of the movie’s visions of bodily mortification. Howard is, from the time he’s in motion, in danger, confronting in his showroom a pair of toughs sent by a loan shark named Arno (Eric Bogosian) to whom he owes a hundred thousand dollars. The numbers may be an abstraction, but the goods—gemstones, fancy watches (whether hot or legit), and cash—are physical, as are the threats by which they’re extracted from debtor to creditor. From the start, Howard—wearing an ostentatious leather jacket, a two-tone shirt with the tag still dangling out of its collar, ever so slightly too decorative glasses, an overly trimmed goatee, and a watch that could build biceps—strides through the Diamond District talking at top speed into his cell phone. He’s plotting the score of a lifetime: importing—or, rather, smuggling—a rare, uncut, large black opal from Ethiopia, which he’s expecting to sell, through an upscale auction house, for a million dollars. But, when the opal finally reaches his showroom, other business gets in the way: Howard’s employee, Demany (Lakeith Stanfield), who’s his liaison to athletes and hip-hop artists, brings the pro-basketball star Kevin Garnett (playing himself) to the showroom. There, Garnett sees the opal, feels its power (which Howard has been hyping), and decides that he must have it as an aid to his game. (Garnett was playing, in 2012, for the Boston Celtics, and the action is set during that year’s playoffs. ) Howard is loath to part with the opal, but he senses that the transaction gives him a betting advantage. Meanwhile, another clock is ticking: Howard’s marriage, to Dinah, pronounced “Deenah” (Idina Menzel), is over; it’s in its zombie-like afterlife. The family (including their teen-age daughter, a near-adolescent son, and a young boy) lives in a house in the suburbs, but Howard is there only symbolically: Dinah is ending the marriage, but the couple have agreed to stay together through Passover to maintain a temporary illusion of family unity. Howard comes home after work to see the children and then, on pretext of more work, leaves—for an apartment in midtown, where he lives with Julia (Julia Fox), a young woman who works for him in the showroom. Julia is a salesperson who trawls the night life for potential customers; she may or may not also be cheating on Howard, but, in any case, she parties hard and allays Howard’s constant suspicions with sexual enticements. The Safdies have long specialized in drama kings and queens, in protagonists who knock their lives out of joint and into action with breathless, reckless, perpetual cycles of frenzied, self-imposed challenges and daily dangers. Howard is the first whose drama seems essentially creative—he is, in effect, playing a dangerous series of shell games for high stakes in order to lend his life high dramatic moment, and his elaborate invention of lies to shimmy out of his creditors’ menacing clutches comes off as a performance in which he himself delights. His gem-and-jewelry business is already stressful and risky enough, but it’s his gambling—and the intricate flow chart of debts and cadges—that fills his life with stories and turns every moment into a life-or-death crisis. The highs of success (rare though they may be) aren’t the sole point, and the money itself isn’t the key payoff: it’s the creation and experience of a dramatic life, the daily tensions and thrills and dangers, the off-balance improvisational theatre into which he has converted his humdrum suburban existence—to which, nonetheless, for sentimental reasons, he clings fiercely and desperately. Even the punishment, the fear, and the humiliation seem to be part of the terrible pleasure. “Uncut Gems” jitters and skitters and lurches and hurtles with Howard’s desperate energy. Sandler’s frantic and fidgety performance provides the movie with its emotional backbone, and he’s not alone: Menzel’s swing between the steadfast and the derisive, Bogosian’s terrifying calm, Stanfield’s good-humored acuity, Garnett’s elevated poise, Fox’s survivalist ferocity, and the vivid contributions of a wide range of other performers, including such notables as Judd Hirsch and, in voice-over roles, Tilda Swinton and Natasha Lyonne, plus real-life celebrities (the Weeknd, playing himself, and Mike Francesa, playing a bookie)—along with a host of newcomers, such as Keith Williams Richards and Tommy Kominik, as enforcers, and Roman Persits, as a jeweller—swirl and clash and rumble, in a symphonic tangle of overlapping and intertwining high-volume voices. The Safdie brothers have always been artists of chaos, whose daring methods of filming (including working on location without permits and blending their scripted action with whatever comes up in the street) have been reflected in their films’ frenetic action and reckless characters. But in “Uncut Gems” their system and their cinema, the story of the production and the story that they tell, converge all the more violently, and in risky new ways. This is, by far, the Safdies’ biggest-budget movie to date. The figure hasn’t been disclosed, but the movie was co-executive-produced by Martin Scorsese and, as Kelefa Sanneh reports in his profile of the Safdies in The New Yorker, it’s the first time that the filmmakers had to deal with trucks and trailers on location, and they had to tailor their practices to fit. After making movies on ultra-low budgets for more than a decade, and with an only slightly elevated one for “ Good Time ” (which stars Robert Pattinson and Jennifer Jason Leigh), it’s clear that they know what to do with the money: in a very literal sense, the money is on the screen, and, for that matter, the money suffuses the action and provides the movie with its very tone.

This film has the most epic yet hilariously ridiculous intro I've ever seen. It's amazing

Uncut gems showtimes nyc. Uncut gems. Uncut gems showtimes. Uncut gems the weeknd. Uncut gems trailer reaction. Uncut gems interview. Uncut gems csfd. Uncut gems soundtrack. Uncut gems cz. Lol it's downloading on my pc. I could never stand Adam Sandler but looks dope. I'm impressed. فلم غير ناجح هالسنه. This Fallon guy ever shut up. No point at the end. I guess that's the difference. Lots of people can apparently see the point. You can't. Uncut gems ending. Uncut gems credits song. Uncut gets new.

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Fucking phenominal. Uncut gems trailer song. This film understands the difference between a crime drama and a crime thriller. This film was extremly well executed at being suspenseful, fast paced, exciting and intense. Sandler gives such a great performance along with the fact that we in the audience are rooting for him even though his character is a dirtbag there are still moments of humanity along with character development brought in. He really does a good job of elevating his role to a point where you almost understand why he does the things he does but then when he does do something stupid you understand why he would choose to do that because he portrays his character so well. I really enjoyed the screenplay I loved some of the nods to 70s and 80s crime/thrillers. The direction is fantastic and really hits home base. However, most of all the original score is what brings this film to a whole new level. It is pounding and riveting with some classic 80s synth to make it slick and you can literally feel your heart race speed up and become on par with the score as the film progresses.

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Watch Online Free uncut gems Watch Free UNCUT GEMS, Uncut" english OnLinE [UnCut GEms] OnliNe HD HBO 2018 OnLIne. Uncut gemstones. Adam Sandler: seriously this is no joke. Saw this last night. This review is 100% spot on. At one point I could actually feel a panic attack coming on. Sandler is superb playing a character who is awfulness personified. Uncut gems imdb. Uncut gems ending song. Never been this early before. Merry Christmas. Uncut gems adam sandler. Uncut gems movie trailer. Directed by Josh Safdie and Benny Safdie Starring Adam Sandler, Lakeith Stanfield, Julia Fox, Kevin Garnett, Idina Menzel, Eric Bogosian, Judd Hirsch.

 

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My jaw was on the theater floor during this scene. Fantastic visuals

Birds of Prey? WTF? You can't be serious. Just back from cinema. That movies was amazing! Never thought Adam Sandler had that sort of performance in him. One part Vangelis, one part Tangerine Dream. Beautiful score by Daniel Lopatin. 24 wins & 74 nominations. See more awards » Edit Storyline Howard Ratner (Adam Sandler) is a once successful New York gems dealer whose gambling addiction has left his family and career in shambles, and him hundreds of thousands in debt. Always looking for the next big bet, Howard thinks he finally hit it big when he discovers a rare uncut rock of Ethiopian gems, with a very interested high-profile buyer. But the closer Howard gets to finally winning big, the more he is forced to realize he can't keep running from the consequences of his actions. Plot Summary | Add Synopsis Motion Picture Rating ( MPAA) Rated R for pervasive strong language, violence, some sexual content and brief drug use. See all certifications » Details Release Date: 25 December 2019 (USA) See more » Box Office Opening Weekend USA: $537, 242, 15 December 2019 Cumulative Worldwide Gross: $50, 004, 879 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Yussi is played by a real-life jeweler, Maksud Agadjani, who was embroiled in a social media spat with rapper Tekashi 6ix9ine in 2018 over a $25, 000 bracelet he said he lent the performer and was never paid for. The situation was covered by several hip hop media news outlets. See more » Goofs Howard asks his wife to change the channel to ESPN so he can watch the game. When the game is shown, the station logo is for TNT. See more » Quotes Howard Ratner: That's a million-dollar opal you're holding. Straight from the Ethiopian Jewish tribe. I mean this is old-school, Middle-earth shit. Connections Referenced in Midnight Screenings: Uncut Gems (2020) Soundtracks L'amour Toujours (Small Mix) Written by Gigi D'Agostino (as Luigino Di Agostino), Carlo Montagner, Paolo Sandrini and Diego Leoni (as Diego Maria Leonie) Performed by Gigi D'Agostino With the kind permission of ZYX Music GmbH & Co. KG. See more ».

 

 

 

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