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Writed by=Michael Pack

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Cast=Anita Hill

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2020

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Created Equal: Clarence Thomas in His Own words. Created equal clarence thomas in his own words directed by michael pack. Created equal clarence thomas in his own words documentary. Created equal clarence thomas in his own words streaming. By minute 25:00 this film got me hooked. Watch it. P.s. Pro or Con it this film is a good story. Created equal 3a clarence thomas in his own words cut off. Movies | ‘Created Equal’ Review: A Justice of Few Words Finds His Voice Clarence Thomas is usually silent on the Supreme Court, but he had plenty to say to some friendly filmmakers. Credit... Manifold Productions Created Equal: Clarence Thomas in His Own Words Directed by Michael Pack Documentary PG-13 1h 56m The most obvious selling point of “Created Equal: Clarence Thomas in His Own Words” also happens to be its most conspicuous deficiency. Thomas has distinguished himself with his silence on the Supreme Court; in 2016, he asked his first question from the bench in a decade. (Three years later, he asked another. ) Speaking directly to the camera in “Created Equal, ” Thomas is veritably chatty, reminiscing about his childhood, extolling the work of Ayn Rand, smiling wryly at his own quips. The producers, Michael Pack and Gina Cappo Pack, spent more than 30 hours interviewing Thomas and his wife, Virginia. Simply getting to watch Thomas expound on his thoughts for an extended length of time constitutes its own kind of novelty — a surprise that begins to wear off when it becomes clear that Thomas will mostly be rehashing the life story he already recounted in his 2007 memoir, “My Grandfather’s Son. ” That memoir was a fascinating document — shrewdly evasive yet occasionally revealing. This new film, by contrast, is about as revelatory as a campaign ad. The only talking heads are Thomas’s and Virginia’s; no other perspectives are offered. Funders for the project include conservative foundations belonging to the Kochs and the Scaifes. Michael Pack, who also directed the film, has written in praise of Stephen K. Bannon’s cultural production efforts. “Documentaries, ” Pack wrote in 2017, “have been the almost exclusive playground of the Left. ” Thomas recounts the major moments in an undeniably eventful life. He supported the black power movement in the ’60s and ’70s and voted for Ronald Reagan in 1980; his conservative turn, he says, was the inevitable reaction to liberal hypocrisy. Clips of Anita Hill testifying at Thomas’s confirmation hearings in 1991 appear in the second half of the film, after the filmmakers have taken care not to disturb their admiring portrait of Thomas as a faithful Christian and doting family man. Hill’s recollections of sexual harassment get predictably cast as part of a feminist smear campaign designed to destroy him. But the overriding tenor of this documentary is triumphant and upbeat. Thomas’s journey is intermittently visualized by footage from inside a boat as it makes its way through marshy wetlands before arriving, just as the sun is setting, at a sturdy dock. If “Created Equal” is trying to promote the conservative cause, it does so gently, and blandly. The only moment of mild discomfort occurs when the filmmakers ask Thomas about the end of his first marriage. The otherwise voluble Thomas signals that he’ll be having none of it, turning momentarily awkward and taciturn: “Yeah, it was, you know, you live with it. ” Created Equal: Clarence Thomas in His Own Words Rated PG-13 for the unavoidable segment on sexual harassment. Running time: 1 hour 56 minutes.

She had absolutely no reward from trying to destroy him. I wonder if he wouldve agreed to take a lie detector test. Ill wait. Created Equal: Clarence Thomas in His Own words without. Created equal clarence thomas in his own words near me. After nearly 30 years, Judge Thomas' speech there is the best I can was great then, and is even more relevant now! GOD BLESS HIM! 🇺🇸. Created Equal: Clarence Thomas in His Own words to eat. Created equal 3a clarence thomas in his own words html. Psalm 91 1 Those who live in the shelter of the Most High will find rest in the shadow of the Almighty. 2 This I declare about the Lord: He alone is my refuge, my place of safety; he is my God, and I trust him. 3 For he will rescue you from every trap and protect you from deadly disease. 4 He will cover you with his feathers. He will shelter you with his wings. His faithful promises are your armor and protection. 5 Do not be afraid of the terrors of the night, nor the arrow that flies in the day. 6 Do not dread the disease that stalks in darkness, nor the disaster that strikes at midday. 7 Though a thousand fall at your side, though ten thousand are dying around you, these evils will not touch you. 8 Just open your eyes, and see how the wicked are punished. 9 If you make the Lord your refuge, if you make the Most High your shelter, 10 no evil will conquer you; no plague will come near your home. 11 For he will order his angels to protect you wherever you go. 12 They will hold you up with their hands so you wont even hurt your foot on a stone. 13 You will trample upon lions and cobras; you will crush fierce lions and serpents under your feet! 14 The Lord says, “I will rescue those who love me. I will protect those who trust in my name. 15 When they call on me, I will answer; I will be with them in trouble. I will rescue and honor them. 16 I will reward them with a long life and give them my salvation.”.

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Created equal clarence thomas in his own words (2019

Created equal clarence thomas in his own words online. I can still see the ugliness in this mans eyes. Horrible human being. Created equal clarence thomas in his own words rotten tomatoes. What a fine man. 'eng'sub ~tv~Watch~Online~HBO~Free OFficiAl 2018 Created Equal: Clarence Thomas in moviEs Watch OnlinE Download HD FUlL. They edited out the thunderous applause he received from the room. Created equal clarence thomas in his own words netflix. Created equal clarence thomas in his own words (2020) full movie. Awesome film, all the actors are top shelf above the manufactured phonies in Hollyweird. Lou Diamond Phillips is way above the standard in acting and I'm never disappointed. Thanks for sharing...

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Created equal clarence thomas in his own words review. “Created Equal” is a recently released documentary about the life of Supreme Court Justice Clarence Thomas. It is a viscerally powerful journey through tumultuous times, both in Thomas’s life and in the life of our nation during the era of segregation, through the Civil Rights movement and into the Senate Judiciary Committee room for Thomas’s confirmation hearings. The movie opens with an evocative view of Georgia’s meandering swampland near where Clarence Thomas was born. It is a scene that reoccurs throughout the film as forks in the road of Thomas’s life present choices he must make, some of which are gut-wrenching. Clarence Thomas and his brother were born into poverty. After their father left, they lived for a period of time with their mother until her parents took the boys in to raise them. It was Thomas’s grandfather who provided stern discipline and instilled a hard work ethic that took root in Clarence’s character and carried him through unimaginably challenging times as a young black man in a white man’s world. In this short commentary, I cannot do justice to the fortitude displayed by Clarence Thomas as he navigated Catholic school, seminary, Holy Cross College, Yale Law School, the Missouri Attorney General’s office, Monsanto Chemical Company, the Senate Commerce Committee, Department of Education, Chairman of the US Equal Employment Opportunity Commission, DC Court of Appeals Judge, and finally as an Associate Justice of the Supreme Court. At each fork in the road, Thomas weighed his opportunities. Sometimes, he abruptly changed course when racism reared its ugly head. But he did not change course when stakes perhaps were highest, during Senate Judiciary Committee hearings for his confirmation to the Supreme Court. It was during those confirmation hearings that Clarence Thomas delivered a stunning rebuke to the all white, all male Senate Judiciary Committee chaired by then Senator Joe Biden. Thomas declared that the hearings were, “a high-tech lynching for uppity blacks who deign to think for themselves, to do for themselves, to have different ideas, and it is a message that, unless you kowtow to an old order, this is what will happen to you. You will be lynched, destroyed, caricatured by a committee of the US Senate, rather than hung from a tree. ” Fast forward to June 2015 when Donald Trump declared his candidacy for President and vowed to return governing power to the people. Like Clarence Thomas, President Trump refuses to kowtow to an old order, and for that he, too, has been vilified. To digress for a moment, consider the political division in our country that has emerged over the last three decades, and how it is reflected in a series of Senate votes. On October 15, 1991, the Senate confirmed Clarence Thomas to the Supreme Court on a vote of 52-48, after unproven salacious allegations of sexual misconduct. Twenty-seven years later, the Senate confirmed Brett Kavanaugh to the Supreme Court on a vote of 50-48 after unproven salacious allegations of sexual misconduct. When it came time for President Trump’s impeachment trial in the Senate, that body refused to re-do what should have been the work of the House of Representatives and, by a vote of 51-49, refused to call additional witnesses. (This was after the President was denied basic due process protections in the House. ) Final votes to acquit were 52-48 (Article 1) and 53-47 (Article 2). Look again at those vote margins. As the old adage goes, the more things change, the more they stay the same. Statesmanship has given way to hyper-partisan gamesmanship, increasingly driven by the radical / Progressive political Left. Clarence Thomas Is a kind of North Star among our governing institutions. He holds firmly to Constitutional principles that offer guideposts to the functioning of a healthy Republic. Even if you don’t always agree with his legal opinions, he deserves admiration for his formidable work ethic, disciplined intellect, reverence for the Constitution, and strong religious convictions. “Created Equal” is showing at the AMC Georgetown 14 movie theater. Please make a point of seeing it. Prepare to be deeply moved by the life and words of Clarence Thomas. Guest Contributor Catharine Trauernicht Catharine Trauernicht fulfilled a 9th grade goal when she went to work on Capitol Hill after graduating from Mount Holyoke College. When she began to confuse millions and billions (that was in the mid-late 1970’s), she left the Hill to enroll in The Wharton School at the U. of PA. After earning her MBA, Trauernicht went to NYC to work in the corporate banking field. Five years later, she devoted herself to full-time motherhood for the next twenty years. She became an entrepreneur 10 years ago, inventing a dog ramp to assist dogs entering and exiting vehicles. Coming full circle back to her passion for politics at a young age, Trauernicht now immerses herself in matters involving political advocacy and voter integrity.

Excellent interview. Can we please get more journalism like this‼️❓🇺🇸. Although Clarence Thomas remains a controversial figure, loved by some, reviled by others, few know much more than a few headlines and the recollections of his contentious confirmation battle with Anita Hill. With unprecedented access, the producers interviewed Justice Clarence Thomas and his wife, Virginia, for over 30 hours of interview time, over many months. Justice Thomas tells his entire life’s story, looking directly at the camera, speaking frankly to the audience. After a brief introduction, the documentary proceeds chronologically, combining Justice Thomas’ first person account with a rich array of historical archive material, period and original music, personal photos, and evocative recreations. Unscripted and without narration, the documentary takes the viewer through this complex and often painful life, dealing with race, faith, power, jurisprudence, and personal resilience. In 1948, Clarence Thomas was born into dire poverty in Pin Point, Georgia, a Gullah- speaking peninsula in the segregated South. His father abandoned the family when Clarence was two years old. His mother, unable to care for two boys, brought Clarence and his brother, Myers, to live with her father and his wife. Thomas’ grandfather, Myers Anderson, whose schooling ended at the third grade, delivered coal and heating oil in Savannah. He gave the boys tough love and training in hard work. He sent them to a segregated Catholic school where the Irish nuns taught them self-discipline and a love of learning. From there, Thomas entered the seminary, training to be a priest. As the times changed, Thomas began to rebel against the values of his grandfather. Angered by his fellow seminarians’ racist comments following the assassination of Martin Luther King, Jr. and disillusioned by the Catholic Church’s general failure to support the civil rights movement, Thomas left the seminary. His grandfather felt Thomas had betrayed him by questioning his values and kicked Thomas out of his house. In 1968, Thomas enrolled as a scholarship student at the College of the Holy Cross in Massachusetts. While there, he helped found the Black Student Union and supported the burgeoning Black Power Movement. Then, Thomas’s views began to change, as he saw it, back to his grandfather’s values. He judged the efforts of the left and liberals to help his people to be demeaning failures. To him, affirmative action seemed condescending and ineffective, sending African-American students to schools where they were not prepared to succeed. He watched the busing crisis in Boston tear the city apart. To Thomas, it made no sense. Why, he asked, pluck poor black kids out of their own bad schools only to bus them to another part of town to sit with poor white students in their bad schools? At Yale Law School, he felt stigmatized by affirmative action, treated as if he were there only because of his race, minimizing his previous achievements. After graduating in 1974, he worked for then State Attorney General John Danforth in Missouri, eventually working in the Reagan administration, first running the Civil Rights Division of the Department of Education and then the Equal Employment Opportunity Commission. In 1990, he became a judge on the U. S. Court of Appeals for the District of Columbia Circuit. In 1991, President George H. W. Bush nominated Clarence Thomas to the Supreme Court. His confirmation hearings would test his character and principles in the crucible of national controversy. Like the Bork hearings in 1987, the Democrats went after Thomas’ record and his jurisprudence, especially natural law theory, but also attacked his character. When that failed, and he was on the verge of being confirmed, a former employee, Anita Hill, came forth to accuse him of sexual harassment. The next few days of televised hearings riveted the nation. Finally, defending himself against relentless attacks by the Democratic Senators on the committee, Thomas accused them of running “a high-tech lynching for uppity blacks who in any way deign to think for themselves, to do for themselves, to have different ideas. ” After wall-to-wall television coverage, according to the national polls, the American people believed Thomas by more than a 2-1 margin. Yet, Thomas was confirmed by the closest margin in history, 52-48. In his 27 years on the court, Thomas’s jurisprudence has often been controversial—from his brand of originalism to his decisions on affirmative action and other hot button topics. Critical journalists often point out that he rarely speaks in oral argument. The public remains curious about Clarence Thomas—both about his personal history and his judicial opinions. His 2007 memoir, My Grandfather’s Son, was number one on The New York Times’ bestseller list. In addition to the two-hour feature length documentary film, a companion website providing more details and curriculum materials will be created and available. The website will draw on the over thirty hours of interviews of both Justice Thomas and his wife, most of which did not appear in the film.

This was/is a beautiful film. February 8, 2020 1:31PM PT The Supreme Court justice offers a monologue of self-justification in a talking-head memoir that's revealing even when it doesn't want to be. If you watch “Created Equal: Clarence Thomas in His Own Words” looking for a clue as to Thomas’ inner workings, a key to who Clarence Thomas really is, then you’ll have to wait a while before it arrives. But it does. The reason it takes so long is that Thomas, dressed in a red tie, light shirt, and blue jacket (yes, his entire outfit is color-coordinated to the American flag), his graying head looking impressive and nearly statue-ready as he gazes into the camera, presents himself as a regular guy, affably growly and folksy in a casual straight-shooter way. And while I have no doubt that’s an honest aspect of who he is, it’s also a shrewdly orchestrated tactic, a way of saying: Don’t try to look for my demons — you won’t find them. The revealing moment comes when Thomas recalls the 1991 Senate hearings in which he was grilled on national television as part of the Supreme Court confirmation process. Does he go back and talk about Anita Hill? Yes, he does (I’ll get to that shortly), but that isn’t the revealing part. Discussing Anita Hill, Thomas reveals next to nothing. His métier now is exactly what it was then: Deny, deny, deny. Thomas tips his hand, though, when he recalls the moment that a senator asked if he’d ever had a private conversation about Roe v. Wade. At the time, he said no — and now, 30 years later, that “no” has just gotten louder. In hindsight, he’s incredulous that anyone would simply presume that he’d ever had a private discussion about Roe v. He’s almost proud of how wrong they were to think so. In a Senate hearing, when you say that you’ve never had that kind of conversation, it’s in all likelihood political — a way, in this case, of keeping your beliefs about abortion ambiguous and close to the vest. A way of keeping them officially off the table. In “Created Equal, ” however, Thomas is being sincere. He has always maintained that he finds it insulting — and racist — that people would expect an African-American citizen like himself to conform to a prescribed liberal ideology. And in the same vein, he thinks it’s ridiculous that a Senate questioner expected him to say that he’d ever spent two minutes sitting around talking about Roe v. Wade. But talk about an argument that backfires! I’m not a federal judge (and the last time I checked, I’ve never tried to become a Supreme Court justice), but I’ve had many conversations in my life about Roe v. Why wouldn’t I? I’m an ordinary politically inclined American. I mean, how could you not talk about it — ever? Abortion rights, no matter where you happen to stand on them, are a defining issue of our world. And the fact that Clarence Thomas was up for the role of Supreme Court justice, and that he still views it as A-okay to say that he’d never had a single discussion about Roe v. Wade, shows you where he’s coming from. He has opinions and convictions. But he is, in a word, incurious. He’s a go-along-to-get-along kind of guy, a man who worked hard and achieved something and enjoyed a steady rise without ever being driven to explore things. He was a bureaucrat. Which is fine; plenty of people are. But not the people we expect to be on the Supreme Court. “Created Equal” is structured as a monologue of self-justification, a two-hour infomercial for the decency, the competence, and the conservative role-model aspirationalism of Clarence Thomas. Since he followed the 1991 Senate hearings, even in victory, by going off and licking his wounds, maintaining a public persona that was studiously recessive, there’s a certain interest in “hanging out” with Thomas and taking in his cultivated self-presentation. The movie, in its public-relations heart, is right-wing boilerplate (though it’s mild next to the all-in-for-Trump documentary screeds of Dinesh D’Souza), and there are worse ways to get to know someone like Thomas than to watch him deliver what is basically the visual version of an I-did-it-my-way audiobook memoir, with lots of news clips and photographs to illustrate his words. The first half of the movie draws you in, because it’s basically the story of how Thomas, born in 1948 in the rural community of Pin Point, Georgia, was raised in a penniless family who spoke the creole language of Gullah, and of how he pulled himself up by his bootstraps. After a fire left the family homeless, he and his brother went off to Savannah to live with their grandfather, an illiterate but sternly disciplined taskmaster who gave Thomas his backbone of self-reliance. He entered Conception Seminary College when he was 16, and he loved it — but in a story Thomas has often told, he left the seminary after the assassination of Martin Luther King Jr. when he overheard a fellow student make an ugly remark about King. That’s a telling anecdote, but there’s a reason Thomas showcases it the way he does. It’s his one official grand statement of racial outrage. In “Created Equal, ” he talks for two hours but says next to nothing about his feelings on the Civil Rights movement, or on what it was like to be raised in the Jim Crow South. As a student at Holy Cross, the Jesuit liberal arts college near Boston, he joined a crew of black “revolutionaries” and dressed the part in Army fatigues, but he now mocks that stage of his development, cutting right to his conservative awakening, which coalesced around the issue of busing. Thomas thought it was nuts to bus black kids from Roxbury to schools in South Boston that were every bit as bad as the ones they were already attending. And maybe he was right. Thomas, using busing and welfare as his example, decries the liberal dream as a series of idealistic engineering projects that human beings were then wedged into. There may be aspects of truth to that critique, but liberalism was also rolling up its sleeves to grapple with the agony of injustice. The philosophy that Thomas evolved had a connect-the-dots perfection to it: Treat everyone equal! Period! How easy! It certainly sounds good on paper, yet you want to ask: Couldn’t one use the same logic that rejects affirmative action programs to reject anti-discrimination law? Thomas projects out from his own example: He came from nothing and made something of himself, so why can’t everyone else? But he never stops to consider that he was, in fact, an unusually gifted man. His aw-shucks manner makes him likably unpretentious, but where’s his empathy for all the people who weren’t as talented or lucky? In “Created Equal, ” Thomas continues to treat Anita Hill’s testimony against him as part of a liberal smear campaign — and, therefore, as a lie. He compares himself to Tom Robinson, the railroaded black man in “To Kill a Mockingbird, ” viewing himself as a pure victim. Thomas’ wife, Virginia Lamp, who sat by his side at the hearings (and is interviewed in the film), stands by him today. But more than two years into the #MeToo revolution, the meaning of the Clarence Thomas/Anita Hill Senate testimony stands clearer than ever. It was the first time in America that a public accusation of sexual harassment shook the earth. The meaning of those hearings transcends the fight over whether one more conservative justice got to be added to the Supreme Court. Thomas now admits that he refused to withdraw his nomination less out of a desire to serve on the Supreme Court than because caving in would have been death to him. “I’ve never cried uncle, ” he says, “whether I wanted to be on the Supreme Court or not. ” It’s an honest confession, but a little like the Roe v. Wade thing: Where was his intellectual and moral desire to serve on the court? By then, he’d been a federal judge for just 16 months, and he admits that he wasn’t drawn to that job either; but he found that he liked the work. Thomas also explains why, once he had ascended to the high court, he went through a period where, famously, he didn’t ask a single question at a public hearing for more than 10 years. His rationalization (“The referee in the game should not be a participant in the game”) is, more or less, nonsense. But his silence spoke volumes. It was his passive-aggressive way of turning inward, of treating an appointment he didn’t truly want with anger — of coasting as a form of rebellion. It was his way of pretending to be his own man, even as he continued to play the hallowed conservative role of good soldier. After South by Southwest was cancelled on Friday over concerns about the coronavirus, two of its founders told the Austin Chronicle that the film festival doesn’t have insurance to cover the cancellation. Nick Barbaro, a co-founder of SXSW who is also the publisher of the Chronicle, told the paper that the festival does not have [... ] Leaders of the Directors Guild of America have approved a three-year successor deal to the DGA master contract, triggering a ratification vote by the 18, 000 members. The DGA national board announced Saturday that it had approved the deal unanimously. The guild revealed that the agreement includes a significant increase in residuals for high-budget streaming content, pension, [... ] In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ] The Cinequest Film & Creativity Festival will push back its second week of programming to August due to concerns over the coronavirus. Co-founders Halfdan Hussey and Kathleen J. Powell made the announcement in a statement released on Saturday. “We want to make clear that our very first concern is for the health and well-being of [... ] Disney-Pixar’s fantasy film “Onward” is dominating North American moviegoing this weekend, opening with $40 million at 4, 310 locations, estimates showed on Saturday. The figure is at the low end of pre-release forecasts, which had pegged “Onward” for a launch in the $40-45 million range. The movie centers on a pair of teenage elf brothers — [... ] The American Film Institute has postponed its Life Achievement Award gala due to concerns over the spread of coronavirus. The annual ceremony, set this year to honor Julie Andrews, was scheduled to take place April 25 at the Dolby Theatre in Los Angeles. The event will be rescheduled for a date in early summer. “AFI’s [... ] Dave Bautista’s “My Spy” is moving its North American release date back a month to April 17 in order to take advantage of a recently cleared slot for the family comedy. After “No Time to Die” was pushed from April 10 to November due to the coronavirus slowing the global box office, “Trolls World Tour” [... ].

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. Created Equal: Clarence Thomas in His Own words of wisdom. Created equal 3a clarence thomas in his own words live. Created Equal: Clarence Thomas In His Own Words ~ The Imaginative Conservative Skip to content One of the best contemporary memoirs I’ve read in the last decade is My Grandfather’s Son, which was published in 2007. In his tale that ended with the fierce 1991 confirmation battle for his seat on the U. S. Supreme Court, Clarence Thomas told a remarkable story of his journey from being raised by a single mother in Jim Crow-era Georgia poverty to taking a place at the top of the nation’s judicial branch. It’s a fascinating and truly all-American story of an important figure on the Court. The necessity of saying that he is important is truly a sad fact. Despite the popular but racist liberal slurs (sometimes said, sometimes illustrated in cartoons) about how Justice Thomas was simply a “sock-puppet, ” “lawn jockey, ” or shoeshine boy for the late Justice Antonin Scalia, those who follow legal and political philosophy know that Justice Thomas, though voting with Justice Scalia quite often, has a somewhat different judicial philosophy. His originalism differs in several ways from Scalia’s (which interested readers can explore in detail in book-length works by Ralph Rossum and Paul Scott Gerber), but the most important is that Justice Thomas takes into account not merely the texts of the Constitution and laws at hand, as did Justice Scalia the textualist. Justice Thomas’s jurisprudence is based on taking seriously the natural law principles in the Founding, most prominently the political equality enshrined in the Declaration of Independence. Hence the title of Michael Pack’s excellent new documentary on Justice Thomas being shown in select theaters across the country: Created Equal: Clarence Thomas In His Own Words. [*] In addition to being a producer and director of thirteen documentaries, Mr. Pack is a former president of the Claremont Institute, whose conservatism takes its starting point and its focus from the American Founding. It is therefore not surprising that the film connects Justice Thomas’s roots in a time and place when black Americans were denied the dignity of equal treatment under the law with his eventual embrace of a natural rights and natural law philosophy that he adopted in part through the influence of John Marini and Ken Masugi. Both worked for Justice Thomas in the eighties and are now senior fellows at the Claremont Institute. During most cuts in the film, an image of the Declaration’s lines about all men being created equal runs across the screen. To Mr. Pack’s credit, however, the movie never descends into a con law lecture. It’s an opportunity to hear the story of an amazing but winding journey from the standpoint of Justice Thomas and, to a lesser extent, his wife Virginia. Mr. Pack recorded thirty hours of interviews, including some recordings of Justice Thomas reading the most beautiful passages from his memoir. Laced through the movie are scenes of a small boat seen from above navigating the maze-like wetlands around Pin Point, Georgia, the site of the Justice’s earliest memories. The movie’s original score by Charlie Barnett is beautiful and often plaintive. With his brother and their somewhat erratic mother, Justice Thomas spent his first few years in Pin Point, where the poverty experienced by his Gullah family and neighbors was livable and off-set by the tight-knit community. His father abandoned the family when he was two, and his mother was able to survive for a while on hard work. When she moved Clarence and his brother to Savannah after a fire destroyed their home, they found the urban poverty much more unbearable. Justice Thomas recalls the sewage from tenement toilets being flushed out into the yards. Archival photos of the city show the boards that denizens would position from the street to their porches to avoid walking through the waste. When young Clarence was seven, his mother asked her own parents, Myers and Christine Anderson, to take in her two young boys. While Christine was a comforting figure, Myers was nearly illiterate, but a fiercely independent thinker whose memorization of swaths of the Bible had led him to be a Republican and also convert to Catholicism in the late 1940s. This unbending disciplinarian believed that the curse of the fall relating to working by the sweat of one’s brow was best embraced as a reality. He greeted the boys with a warning: “The damn vacation is over. ” It was not an act. The young boys were required to help out their grandfather on the truck he used to sell fuel oil and ice every day after they came back from the segregated parochial school they attended. In the summers, Anderson had them working all day on a small farm property he possessed. Justice Thomas recalls with relish the reply to the boys’ occasional pleas that they were unable to do a job: “Old man can’t is dead; I helped bury him. ” An excellent student and one who took the faith seriously, Justice Thomas asked to enter St. John Vianney Minor Seminary in the middle of high school. His grandfather told him that he could do this, but he couldn’t quit seminary. Justice Thomas loved the liturgy (he mentions his love of Lauds, Vespers, and Gregorian chant especially) and he excelled in his studies—an image from his yearbook reveals the legend below his picture: “Blew the test! Only a 98”—but found it difficult to be the only black student at the seminary. He is grateful now for the suggestion by one teacher that he learn standard English—his speech at the time was, he says, a mixture of the Gullah dialect and southern English—but it was somewhat alienating. After passing on to Conception Seminary College in Missouri, the disconnect became unbearable as the Civil Rights movement marched on and Catholic bishops were nearly uniformly silent. The breaking point came when he entered his dormitory on April 4, 1968, only to hear a fellow seminarian respond to Martin Luther King, Jr. ’s shooting, “Good. I hope the son of a b— dies! ” Justice Thomas left the seminary at this point, which prompted his grandfather to say that he would have to live on his own now since he was making “a man’s decision. ” After briefly moving back in with his mother, Justice Thomas was accepted to Holy Cross College in Worcester, Massachusetts for the fall. Stinging from the betrayal of the Church and his grandfather, Justice Thomas embraced the view that race “explained everything” and formed a radical left-wing substitute for the religion he’d left behind. After two years of radicalism, Justice Thomas participated in a riot in Boston whose violence rattled him. Returning to Holy Cross in the wee hours of the morning, he entered the chapel and prayed for the first time since he’d matriculated. At that point, though still embracing progressivist views, he started to live out some bourgeois values. He married a fellow student at the end of college and continued on to Yale Law, where he started to shift to what he calls a “lazy libertarian” viewpoint. His main concern was his own autonomy. Upon graduation he went to work for the Republican attorney general of Missouri, an Episcopal priest named John Danforth. This work started to break down some of his recently-formed views about white racism as the main problem for blacks. His discovery that black victims of crime overwhelmingly suffered at the hands of black criminals shook his race-based worldview. After a stint in the business world, Justice Thomas came to Washington to work for his old boss, now a senator. His views of the world were slowly moving back to the ones instilled in him by his grandfather, especially as he discovered black intellectuals such as Thomas Sowell who didn’t toe the left-wing line. A young Juan Williams outed him as a conservative in a column that expressed the commonplace view that blacks with views like his are somehow incomprehensible traitors or suck-ups to the white power structure. At the same time, the grind of the Washington world helped lead to the breakdown of his first marriage, a subject on which Justice Thomas is noticeably much more reticent than other topics. This is natural, and like the other emotions that are visible on his face, they lend humanity to a man who has too often been caricatured. His mother’s comment about him that he was “too stubborn to cry” may be true, but the moist eyes and the movements of this great man when remembering his grandfather or raising his son, Jamal, or the difficult times in public life, led to a number of sniffles in the theater I was in. Justice Thomas is also visibly moved when he describes his second wife, Virginia, as a gift from God he could not refuse. His time in the Reagan administration chairing the Equal Employment Opportunity Commission led to an appointment in the federal judiciary. Though enlivened by his discussions with Masugi and Marini about the Constitution, he initially resisted an appointment to the bench because he thought that being a judge was something for old people. Convinced that he could resign, he embraced the work and found that he liked it. In 1991, President George H. W. Bush nominated him for the Supreme Court, bringing out the long knives of the abortion industry and the left. Archival footage shows us feminists declaring flatly that they will “bork” this man. Virginia Thomas speaks for this viewer in holding a special anger at the absurd prospect of Teddy Kennedy sitting in judgment over claims of “sexual harassment” by Anita Hill. The footage of Senate Judiciary Chair Joe Biden is yet more evidence of the oily confidence without merit he has always demonstrated. Senator Orrin Hatch asks the questions about how it is that a woman who was harassed would not only follow her harasser from one job to the next but then continue to contact him a dozen times over the years after their time working together. Justice Thomas’s memoir ended with his survival of the nomination process. Created Equal gives us some sense of the man’s work, noting that though detractors often attribute his silence from the bench to some lack of intelligence, Justice Thomas’s own view is that he is not there to verbally joust with lawyers but to hear their cases and decide. Rather than being a simple follower of others’ opinions, Justice Thomas has written over six hundred opinions, thirty percent more than any other sitting Supreme Court justice. The film ends with a happy judge. It seems clear he has returned to the Catholic faith he abandoned in 1968, but this is not explained. His vacation time is spent traversing what he calls “the regular parts” of the U. in his RV, and his work time is spent with clerks who get labeled “third-tier trash” since they come from colleges in those regular parts. Justice Thomas clearly gets on with people like himself who are overlooked and undervalued because of their race or their economic class. He is more comfortable with them than other D. C. denizens, perhaps due to his belief that they too, by God, are created equal. The Imaginative Conservative applies the principle of appreciation to the discussion of culture and politics—we approach dialogue with magnanimity rather than with mere civility. Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Please consider donating now. Notes: [*] For information on the movie, including a list of screenings, see here. The featured image is a still from Created Equal: Clarence Thomas in His Own Words (2020). David Deavel is Senior Contributor at The Imaginative Conservative, editor of Logos: A Journal of Catholic Thought and Culture, and Visiting Professor at the University of St. Thomas (Minnesota). He holds a PhD in theology from Fordham and is a winner of the Acton Institute’s Novak Award. His book, Solzhenitsyn and American Culture: The Russian Soul in the West, co-edited with Jessica Hooten Wilson, is forthcoming from Notre Dame Press. Besides his academic publications, Dr. Deavel's writing has appeared in many journals, including Catholic World Report, First Things, National Review, and the Wall Street Journal.

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